What a politician says on Facebook is news

A North Carolina lawmaker’s Facebook activity is in the news, and he doesn’t like it.

Rep. Michael Speciale, a Republican from New Bern, linked to a video about the recent Women’s March in Washington, D.C. He posted: “What a joke that gathering was! That march did not represent any of the women that I know!”

The News & Observer mentioned his post in an item in Under the Dome, a long-running column of tidbits about North Carolina politics. That didn’t sit well with Speciale, who returned to Facebook to attack the newspaper:

speciale

Speciale’s criticism is misguided. The N&O’s reporting was appropriate. Here’s why:

  • Speciale is a prominent person in a position of power. His constituents and other residents of North Carolina have an interest in his viewpoints on a range of issues. That’s news.
  • Politicians across the ideological spectrum, including the president, are using social media such as Twitter and Facebook to communicate with the public. That’s news.

 

 

Q&A with Grace Raynor, sportswriter at the Post and Courier

clemson-frontpage

The front page of the Post and Courier the day after Clemson won the national championship on a last-second touchdown.

Grace Raynor is a sportswriter at the Post and Courier in Charleston, South Carolina. She is a 2015 graduate of the journalism school at UNC-Chapel Hill, and she was sports editor at The Daily Tar Heel during her time in college. In this interview, conducted by email, Raynor discusses sports journalism, her experience covering a national championship football game and her use of social media as part of her job.

Q. Describe your job at the Post and Courier. What is your typical day like?

A. I joined the Post and Courier’s sports staff in March as a general assignment reporter. What’s cool about being a GA sports reporter is that every day is different. There would be some days I’d cover high school football, others I’d cover minor league baseball and even some when I’d head out to the water and write sailing articles.

My favorite part about being GA is the ability to write the off-the-wall stuff. Once I wrote about a 70-year old pole vaulter, and another time I wrote about a couple that are judo partners together. My role is helping out in any capacity with the day-to-day stuff and then finding stories or enterprise on my own that I find interesting and want to tackle.

This week is a little unconventional in that I’m actually about to take on a new role at the P&C as our Clemson beat writer, meaning I’ll be making the move to the Upstate soon. In that capacity I’ll cover Clemson football, men’s basketball and baseball for the P&C — so the day-to-day grind is about to change!

Q. You recently covered Clemson’s victory in the college football playoff. What was it like to cover the championship game?

A. Covering the national championship game was unlike any experience I’ve ever had before, both journalistically and personally.

From a journalistic standpoint, it was the ultimate adrenaline rush: It was an 8:17 p.m. kickoff; for print deadline purposes, my first story was due 15 minutes after the game ended, and then the game came down the literal last second. It was stressful at times when I had to adjust so quickly after that last touchdown, but also such a rush that it’s a moment I’ll never forget.

Personally, it’s always been on my sports reporter bucket list to cover a national championship game. The way that one ended couldn’t have been more exciting.

Q. You’re active on Twitter. How does social media help or hinder your work?

A. Twitter is such a great tool to reach a large audience of people who are all interested in a common thing. With Clemson fans, Twitter is one of the first places they go to to get in-game information or postgame reactions, and so in that regard it’s very efficient and engaging. If there’s a quote or detail I want to get out there before my story is published, Twitter is the best way to do that.

I do think it can be a bit of a hindrance sometimes, though. I am guilty of sometimes spending so much time tweeting a postgame press conference or a locker room scene that I miss out on body language or eye contact or those little details that we miss when we’re on our phones. It’s definitely a give-and-take balance that I’m still learning.

Q. Covering college sports is challenging and rewarding. What advice do you have for students who are considering sportswriting as a career?

A. You’re so right in that regard that it’s both challenging and rewarding. I’m still learning myself the ins and outs of the sports journalism world, but my advice is this: Be patient.

After I graduated from UNC, I had an internship that lasted until October and then didn’t find a full-time job I liked until March. It took me almost six full months to land on my feet, and that’s OK!

Now, I’m so glad I waited on taking a job I knew I would be really passionate about, rather than just taking the first thing that was thrown my way. In those five months I continued to freelance so I had an income (definitely not advising not working here!) and then things fell into place.

I realize it’s annoying when people tell recent graduates that things will work out as they should. I used to hate hearing that. But it’s true. Stay patient, write things you’re passionate about and surround yourself with people who care about you. When it works out, it’s awesome.

Follow Grace Raynor on Twitter and read her stories on the Post and Courier website.

Q&A with Bob Bryan, reporter for Business Insider

Bob Bryan at the Chairman's Room at the New York Stock Exchange.

Bob Bryan at the Chairman’s Room at the New York Stock Exchange.

Bob Bryan is markets reporter for Business Insider. In this interview, conducted by email, he discusses his beat and headline writing and social media at BI.

Q. Describe your job. What is your typical day like?

A. As a markets reporter, my team usually gets an early jump on things. Four of us are in the office by 7 a.m., looking at overnight news in European and Asian markets or covering quarterly earnings that are announced before the opening of the market.

From there the day can really be anything. Since Business Insider has a relatively slim team, we have a lot of freedom to explore topics that interest us, For instance I could write about Obamacare, the Wells Fargo scandal and how inflation is impacting the Federal Reserve all in one day (and have before).

Posts usually come out of three places: breaking news (which can come from anywhere: Twitter, press releases, email tips); research from banks and economic analysts such as the International Monetary Fund or the Fed; and interviews done with market followers, economists, and major investors.

I’m usually on the go until 3 to 3:30 p.m. when I stop to start planning the Facebook Live broadcast I host every day at 430 p.m. That involves going through the headlines of the day selecting what I want to talk about, getting graphics and charts made up by our markets graphics guru, and planning chyrons with the video team. I typically write myself a rough outline, but ad lib most of the show.

The show usually wraps at 4:50 p.m., and afterwards, I check some emails and maybe finish a post I was working on. Typically, I leave the office anywhere from 5:15 to 6:00, though I may do some work at home if news breaks afterward.

Q. You are active on Twitter. How do you use social media as part of your job?

A. Social media is incredibly important for my job, Twitter being the most prominent.

Not only is Twitter a source of ideas, but for financial journalists, there is a robust conversation between finance media and those in the markets world. There is a great group of economists and traders that use Twitter and are active in conversing with others. Heck, even current Fed president Neel Kashkari takes question on Twitter from time to time.

Obviously, Facebook is also important not just as a source of traffic, but it’s also where I do my daily videos.

Q. How do story editing and headline writing work at Business Insider?

A. Everything starts with the writer. At BI, the reporters write their own headline, tweet, pick their picture, write the captions. Even the short browser title you see from search engines is done by the writer.

Stories are then sent via Slack to an editor, unpublished, to be looked over. It may go by a second editor occasionally depending on the subject matter. For longer features, the copy desk will look over the text before it goes live. If it is a normal, shorter post, the copy desk looks over the story after it goes live. We strive for speed, so the copy desk is incredibly quick at making edits to a story once it goes live.

Headlines are usually collaborative as well. If we try a headline that doesn’t get a lot of reader attention, we may change it or try a different construction to connect better with readers. This is usually discussed with the editor who read the story via Slack or, more likely, verbally. A lot of changes are discussed verbally since the office is open with shared tables and most of editorial is in one big space.

Q. You are a 2015 graduate of the journalism school at UNC-Chapel Hill. What advice do you have for the class of 2017?

A. Say yes. When you’re starting out, always be the first to jump on something when it’s offered. If there is a story idea thrown out, say yes even if you’re not sure about it. It’s a great way to learn, prove your capable, and add value to whatever newsroom (or any other job) you’re in.

For instance, I said yes to a story about UnitedHealthcare’s quarterly earnings in which it turned out they were leaving a majority of their Obamacare markets. Now six months later, I’m the primary Obamacare and health insurance reporter, which draws a lot of reader interest. If I had said “I don’t know too much about that,” then I would’ve missed one of the best opportunities of my career so far.

Read Bob Bryan’s posts on Business Insider and follow him on Twitter.

Q&A with Tara Jeffries, reporter at Morning Consult

Tara Jeffries is a reporter at Morning Consult, a technology and media organization in Washington, D.C. In this interview, conducted by email, Jeffries discusses her work there, its process for editing and headline writing, and her use of social media. 

Q. Describe your job. What is your typical day like?

A. I’m a finance reporter at Morning Consult, a nonpartisan media company that focuses on the issues driving Washington, Wall Street and Silicon Valley. I cover the intersection of Congress and the financial services industry, with a dash of tax policy, trade and occasional coverage of the presidential candidates’ economic proposals.

I write a mixture of longer, policy-oriented stories and shorter pieces about the news of the day. I’m also the co-author of Morning Consult’s daily Finance Brief, a newsletter that captures the top headlines of the financial services beat.

My routine differs based on whether I’m heading up the brief or my colleague on the finance beat is handling it. On a day that I’m writing it, I’ll gather stories throughout the day and file a draft toward the end of business hours. I file my final draft and go through the editing process with my editor in the morning.

My days also depend on whether Congress is in session. When it is, I’m on Capitol Hill basically every day. Many of my quotes come from committee hearings — I keep detailed tabs on committees pertinent to my beat, like the House Financial Services Committee and the Senate Banking Committee. I also stay in contact with press representatives on those committees to keep in touch about what’s going on and what’s coming up.

But a lot of news is made in hallway interviews — spontaneous interactions with lawmakers after hearings, at events and quite literally as they’re walking in the hallways. I got my first taste of hallway interviewing as a legislative reporting intern with WRAL’s state politics team. When Congress is out of session, I spend a lot of time interviewing and meeting with people in the financial industry, whether they’re lobbyists, advocacy group leaders or think tank policy experts.

In my position, I get to cover the nitty-gritty of policy details in my long-term stories, which is one of my favorite parts of the job. Morning Consult is kind of a policy wonk’s paradise. I also get to be out “in the field” reporting, which is something that many reporters don’t experience at other outlets.

Q. How do story editing and headline writing work at Morning Consult?

A. Stories go through a comprehensive process involving multiple editors.

My stories are handled most of the time by our finance and tech editor (my immediate supervisor), our chief policy editor and/or our managing editor. I write my own headlines, but they are sometimes tweaked by editors, or we float headline suggestions back and forth. The editing at Morning Consult has made me a much more precise, detail-oriented reporter.

Since I am on the Hill most of the time, some of my editing is conducted remotely. Generally, my editors and I communicate via email or Gchat in real time after I file a story. They ask questions and make suggestions. Before publishing a story, they provide me with a “readback” of what it looks like post-editing. This gives me the opportunity to review the piece before it’s published, and bring up any concerns if I have them.

Q. You recently live-tweeted the congressional testimony of Wells Fargo CEO John Stumpf. What role does social media play in your job?

A. I’m fairly active on Twitter, and it’s a great way to connect with sources and/or other reporters on my beat. I have developed a following of congressional staffers, some lawmakers and policy advocates. I sometimes live-tweet events, particularly highly watched proceedings like the Wells Fargo CEO’s testimony or events featuring high-profile players like Donald Trump and Hillary Clinton’s economic advisers, whom I covered last week.

Twitter offers the chance to get a little more conversational and interactive with my coverage. I think one of the biggest misconceptions about policy reporters is that wonky has to mean “stodgy” or boring — regulatory policy, banking policy and, yes, even tax policy can be fun to talk, write and tweet about. My Twitter activity also shows industry and policy sources that I am engaged and informed on my beat.

Q. You are a 2015 graduate of the journalism school at UNC-Chapel Hill. What skills that you learned there do you use in your work, and what new ones have you picked up?

A. In my UNC journalism studies, I learned the importance of a fully fleshed-out story that spells out all the players involved in an incident or topic.

In my particular field, I apply those lessons by making sure to show all the context around a given policy battle or legislative issue. For example, in my coverage of Wells Fargo’s consumer fraud scandal, I’ve detailed not only the immediate news — more than 2 million unauthorized accounts; CEO John Stumpf surrendering $41 million in pay — but how that news ripples out to many of the players in the financial services world, how it affects ongoing regulatory battles and how advocates on different sides of banking issues are using it to gain political capital.

Precision in writing is another aspect of my journalism education that I use in my position — something I learned in both your News Editing and Advanced Editing courses. When covering a numbers-heavy and policy-focused beat, I’m careful to be not only accurate, but precise in my details. An example: When I say that Wells Fargo’s CEO had $41 million in compensation “clawed back,” I need to specify what kind of compensation (in this case, unvested stock options).

Read Jeffries’ stories for Morning Consult and follow her on Twitter.

Q&A with Mike Sundheim, vice president of communications for the Carolina Hurricanes

canes-raleigh

The front page of The News & Observer from June 2006 when the Carolina Hurricanes won the Stanley Cup.

Mike Sundheim is vice president for communications and team services for the Carolina Hurricanes of the NHL. In this interview, conducted by email, he discusses his job, social media and the team’s outlook for the 2016-17 season.

Q. Describe your job. What is your typical day like?

A. One of the best sports books out there is Ken Dryden’s “The Game,” and one of my favorite parts is when he describes the rhythm of the season. Essentially, days of the week are irrelevant, and our lives are dictated by whether it is a game day or a practice day and whether we are home or on the road.

On a home game day, I arrive at work around 7:45 a.m. and leave about an hour after the game ends. During that time, I am responsible for media access after a morning practice, two hours prior to the game and five minutes after the game, as well as rights-holder interviews throughout the game.

Beyond handling media access, there’s plenty to do at my desk, from writing news releases or letters for executives to fielding media calls, monitoring social media and working with all of the other departments in the company regarding communication needs. A few years back I also took on team services, which includes handling hotels and bus companies for team travel as well as meeting the everyday personal and scheduling needs of the players and coaching staff.

I split the travel with my co-worker, Kyle Hanlin, so my quietest days in-season are typically when he is with the team on the road and I am home. But even those days can fill up quickly, taking care of everything I didn’t have time to deal with when the team was around.

Q. What role does social media play in your work?

A. When people ask what the biggest change to my job has been since I started, social media is a clear number one. Look at it this way, when I came on full-time in 2000, Mark Zuckerberg was a 16-year-old high school student. There was no social media, and the news cycle was much more structured.

Because of social media, everything is immediate. That affects how and when we send news releases, the ways in which major news is delivered and, more than anything else, our ability to turn off our work brains. I can be sitting at home playing with my kids at 8 p.m. and start getting texts about something a player tweeted or an impending personnel move. This job has always had a bit of an always-on-call element to it, but social media has significantly intensified that.

Q. During your time with the Hurricanes, the team has been to the Stanley Cup finals twice, winning in 2006. But Carolina has missed the playoffs the past several years. How do the ups and downs of sports affect what you do?

A. There is no doubt wins and losses affect those of us who work in sports, from general office morale to our company’s bottom line. When we won the Stanley Cup, we were playing in front of standing-room-only crowds, and I could hardly keep up with the flow of media requests for our players.

After seven consecutive non-playoff seasons, we have understandably smaller crowds and I spend more time pitching stories than fielding requests. Our major local newspaper didn’t travel a beat writer on the road last season.

When you’re winning, you can’t wait to get to the office, and when you’re losing, it is much more of a grind. The positive for us is that we feel like we are very close to turning a corner on the ice, and we are already seeing some positive business momentum based on that optimism.

Q. What advice do you have for students considering careers in sports communication?

A. Your classes are important, and there are plenty of things I learned at UNC that help me every day in my job. But I would not be where I am had I just gone to class, graduated with straight A’s and started looking for a job.I spent two and a half years at The Daily Tar Heel, which helped me in many ways including the development of my writing and my understanding of deadline pressure.

I then spent my junior and senior years working for the Hurricanes as an intern and UNC’s sports information department as a student assistant. It was in those positions that I learned how to actually do my job and gained the connections and experience to land full-time work after school.

The last time we had an open position — a part-time, hourly job that only paid about $15,000 for the season — we had more than 300 applicants in a few days before we closed it off. I wrote about the experience on my blog for our website, and pretty much everything I said in there still stands. I eliminated 75 percent of the resumes instantly because they had no sports experience.

Also, a lot of people hear “sports PR” or “sports publicity” and picture all of the glamorous aspects of traveling with a team and working with media. But most entry-level sports communications positions are heavily based in writing, working with statistics and preparing game notes. If you don’t love writing or you can’t truly geek out on sports stats, this isn’t the right career path for you.

Q. Let’s look ahead. How do the Hurricanes look going into the 2016-17 season?

A. This is the most excited I’ve felt about the future of our team in a long time. Ron Francis has done a phenomenal job of staying patient and rebuilding the right way — collecting prospects and draft picks and building from the defense forward.

Our defense last season included four players who were 23 years old or younger, including Noah Hanifin, who was just 18. The ages of our top seven scorers were 23, 27, 23, 21, 23, 24 and 25. And we have 10 picks in this year’s draft – seven of which are in the first three rounds. That gives us a ton of flexibility to either continue to collect prospects, or wheel some of those picks for players who can immediately jump into our lineup.

The idea isn’t just to compete for a year or two and then suffer another playoff drought. It’s to build an organization that is a factor in the playoffs every single year. That’s exactly what Ron is doing.

Students interested in internships with the Carolina Hurricanes can contact Sundheim via this page.

Student guest post: Photoshop fails — celebrity edition

Students in J457, Advanced Editing, are writing guest posts for this blog this semester. This is the ninth of those posts. Paola Perdomo is a senior majoring in graphic design and information science. She does marketing and design work for UNC Campus Recreation, where she loves to bridge the gap between fitness and awesome visuals.

Knowing how to use Photoshop has become an extremely desirable skill in our selfie and social media-driven society. As a designer, I see Photoshop as a platform where I can always learn new tricks. I can replicate and hide and blend and alter colors to my heart’s desire, with the key always being in subtlety.

It is at this point that some of the most popular celebrities are failing, throwing subtlety to the wayside and making their photo edits obvious. Not on purpose, I hope, but obvious, nonetheless.

I can imagine that posting photos becomes an art form for popular personas like Beyoncé and Kim Kardashian. A photo on Instagram is more than a snapshot of an individual’s life. It influences millions of people that follow these accounts and potentially creates a profit for the poster. It makes sense that posting the “perfect” photo becomes the ideal, but doing so creates unrealistic standards for girls and boys of any age.

Both Beyoncé and Kardashian, who have 64.5 and 64.7 million Instagram followers, respectively, have been repeat offenders of the dreaded “Photoshop fail.” Beyoncé has been caught making her legs appear thinner on multiple occasions, and Kim Kardashian has thoroughly changed her body features: thinner arms, smaller waist, straighter nose and flawless skin. How can we tell, you ask? Every one of these photo fails have included similar telltale signs like unnatural curved spaces and unbelievable features.

Take a look at some examples below:

beyonceedit

kimedit

Why two seemingly fit and extremely successful women want to enhance (or reduce) their bodies only to release it to millions of people who will then scrutinize every inch of the image seems counterproductive. Photoshop, when used incorrectly or too much, is fairly easy to spot, which makes me believe that both Beyoncé and Kardashian edit their photos believing they will get away with it. Although no longer active, an Instagram account was created solely to expose celebrities editing their photos. When these two women have been called out on their botched edits, neither has commented.

I’ve focused on these two particular celebrities, but they are not, by far, the only ones. I would venture to predict that others will join them, including men. Just like women are plagued by images of desirable figures, men are saturated with masculinity and “ripped bods.” It seems that there is a fascination with taking things to the extreme in this increasingly exposed culture. Strong people need to become stronger, thin people need to be thinner, people who have lost weight need to lose more, and so on.

New photo-editing apps are consistently released to the public, touting their new and easy-to-use features. Filters within social media platforms are widely used and constantly updated. It all means one thing: altering and enhancing is more popular than ever and it doesn’t seem to be slowing down. So the question remains: How can we use photo editing for good?

It’s important to be aware of this development, not only to set a better example of self-confidence and self-acceptance to the general public but also to reverse the trend’s popularity. Let’s not make Photoshop the enemy here.

How you can help editors write better headlines

The national conference of the American Copy Editors Society is only a few weeks away. This year’s gathering is in Portland, Oregon, from March 31 to April 2.

I am organizing and moderating a discussion on headline writing. For this session, we are inviting everyday people to give spontaneous feedback on a set of headlines and tweets. There will be no right or wrong answers. We’re just curious what real readers think of real headlines.

It’s a reprise of a session at the 2014 ACES conference in Las Vegas. Alex Cruden, a former editor at the Detroit Free Press and winner of the ACES Glamann Award, came up with the concept years ago. He hoped a dialog between editors and readers might result in better headlines.

If you know someone in Portland who would like to serve on this reader panel, please contact me. I am also taking requests for headlines to include in the session, which will take place at 2 p.m. on Friday, April 1.

For more about the ACES conference and a full list of sessions and events, check out the official site. I’d love to see you there.