Kelsey Weekman is a trending content writer at AOL. She has also written for Mashable, Reductress and Mediashift. In this interview, Weekman discusses how AOL approaches reporting, editing and headline writing.
Q. Describe your job. What does a “trending content writer” do on a typical day?
A. I spend the day looking for stories that I think will go viral, from animal videos to the latest odd political moment. I write anywhere from 5 to 10 in a day, but since January, it’s always been closer to 10. (Inauguration was in January, so, you can put the pieces together there.)
Q. How does story editing and headline writing work at AOL?
A. Writers write their own headlines, and there are three kinds:
- A main title, which shows up on the article page when you open it. We try to give lots of information and use SEO keywords.
- A social headline, which automatically shows up when shared on Facebook and Twitter. We try to craft a clever-yet-not-misleading tease here. It’s Clickbait Lite.
- A short title, which shows up on the app. We go for a similar tease but can only use 52 characters.
As for story editing, it’s not particularly thorough. I pass my stories on to a coworker on my level or above, and they proofread the article, then send it back. I make my own changes and publish my own work.
Q. You also edit an email newsletter called Keeping Up With The Content, and you’ve researched newsletters as part of an independent study. What do you like about the newsletter format?
A. I experimented with quite a few newsletter formats myself, but I found the one that works best for me, a content curator who pulls from a ton of different websites, is really just making a list of headlines divided by topic. I format it with fun colors and a trendy font to make it feel more like a zine than an email marketing tactic.
Q. You are a 2016 graduate of the journalism school at UNC-Chapel Hill. What skills that you learned there to do you use in your job at AOL, and what new ones have picked up?
A. What I learned in the most basic news writing class has never left me. It drilled how to write a proper news article into my brain. My specialization was in public relations, which I realized about halfway through is not what I want to do, but having to be creative with words in any format was an invaluable exercise.
Most importantly, I learned to be scrappy. I learned that you have to be your own best advocate because the journalism world is wildly competitive. If you want to do something, do it, don’t wait for someone to create a way for you to accomplish it.
UPDATE: In August 2017, Weekman accepted a position writing for Billboard and The Hollywood Reporter.